small fixes
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1 changed files with 9 additions and 9 deletions
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@ -65,11 +65,11 @@ Each chord in a key has a function.
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For major key
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For major key
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| Tonic | Subdominant | Dominant |
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| Tonic | Subdominant | Dominant |
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| ----- | ----------- | --------------- |
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| ----- | ----------- | -------- |
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| I | ii | V |
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| I | ii | V |
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| ii | IV | vii[^6]<br><br> |
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| iii | IV | vii[^6] |
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| vi | | |
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| vi | | |
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C Dm Em F G Am Bdim can change to
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C Dm Em F G Am Bdim can change to
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Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7(b5)
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Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7(b5)
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@ -90,8 +90,8 @@ Am7 Bm7(b5)[^7] Cmaj7 Dm Em7[^8] Fmaj7 G7[^8]
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- 8 bar phrase
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- 8 bar phrase
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- **basic idea**[^9] - 2 bars
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- **basic idea**[^9] - 2 bars
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- **antecedent** = basic idea, ends with half cadence[^10] - 4 bars
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- **antecedent** = basic idea + 2bars that end with half cadence[^10] - 4 bars
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- **consequent** - basic idea[^11], ends with authentic cadence - 4 bars
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- **consequent** - basic idea[^11] + 2 bars that end with authentic cadence - 4 bars
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- period = antecedent + consequent. It's bit like question and answer, or saying basic idea, "not sure where to go", repeat basic idea and lead somewhere satisfying.
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- period = antecedent + consequent. It's bit like question and answer, or saying basic idea, "not sure where to go", repeat basic idea and lead somewhere satisfying.
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Period is a very balanced form. ABAC is good representation of it.
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Period is a very balanced form. ABAC is good representation of it.
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@ -104,7 +104,7 @@ Period is a very balanced form. ABAC is good representation of it.
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- bars 5&6 -> **continuation** -> there's "more something"[^12]
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- bars 5&6 -> **continuation** -> there's "more something"[^12]
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- bars 7&8 -> any cadence
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- bars 7&8 -> any cadence
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because of open end easy to move on, but more difficult to use repetition to extent beyond 8 bars due to repetitive nature of beginning. AABC is good representation of it
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because of open end it is easy to move on, but more difficult to use repetition to extend beyond 8 bars due to repetitive nature of beginning. AABC is good representation of it
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[^9]: pretty harmonically stable
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[^9]: pretty harmonically stable
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@ -151,7 +151,7 @@ very useful in continuation of sentence form
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example:
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example:
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1. in key of C we have Dm chord
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1. in key of C we have Dm chord
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2. in key of Dm we have A(A7) as dominant chord
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2. in key of D we have A(A7) as dominant chord
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3. we can "borrow" that A7 and lead into Dm even in a context of C
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3. we can "borrow" that A7 and lead into Dm even in a context of C
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Basically, we can create a "pull" into any chord[^15] and add some extra color (C# in A in example above)
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Basically, we can create a "pull" into any chord[^15] and add some extra color (C# in A in example above)
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